Thursday, April 24, 2008


Illustrations of Catastrophe and Remote Times is reviewed by Melissa Kuntz in this week's Pittsburgh City Paper.

The current manifestation of the "Gestures" series at the Mattress Factory, intriguingly titled Illustrations of Catastrophe and Remote Times, includes artworks and installations by 21 participants, not all of whom (as per the series' premise) were trained as visual artists. They include a graphic designer, a robotics researcher, a musician, a window designer and a doll maker.

An exhibition of artworks by such an assortment of individuals ought to generate interest through sheer variety. Guest curator Heather Pesanti, who's assistant curator of contemporary art at the Carnegie Museum of Art, raised the conceptual bar by asking each participant to read a passage from "The Domain of the Great Bear," by the illustrious artists Mel Bochner and Robert Smithson, published in 1966 in the periodical Art Voices and premised on the theory that a magazine offers an alternative place for the display of artwork. ( FULL ARTICLE )

Illustrations of Catastrophe and Remote Times is extended through June 15, 2008.

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