One project I’m currently focusing on in the MF archives is getting our Limited Edition collection online. The items in this collection are comprised of various works on paper and three dimensional sculptures, and are representations of past Mattress Factory installations. Typically, the artist will focus on an element or idea from their large-scale exhibition piece and create a smaller-scale run of works. The pieces are then numbered, signed and made available for purchase here at the museum. Proceeds from the sale are split 50/50 between the artist and the MF.
Virtually all of the work artists create at the Mattress Factory isn’t made to be sold or installed in a home environment. Therefore, the Limited Edition collection is unique in that someone can take an element of Mattress Factory art home with them. The collection currently features work from some of our permanent collection artists; Rolf Julius (pictured below), William Anastasi, and Jene Highstein. We also have pieces by artists whose work is no longer exhibiting such as David Ellis, Jessica Stockholder, Deborah Aschheim, Mark Garry, and Dove Bradshaw.
Of course, I won’t be doing all of the work necessary to get these works online. In fact, much of my work will be quite invisible. I’m responsible for producing catalog information about each piece and entering that information into our collections database. We currently use a simple database platform (HINT: exciting news about this to come in a future blog post!) and most of the information is standard; artist, title of work, date, and dimensions. However, it is also important to note what type of ink was used, what kind of paper the work was printed on, or what sort of candy compound was used.
I’m also responsible for properly storing these items and organizing the archive so they can be found easily and quickly. Much of this work is already complete and I’m now focusing on making sure each artist's Limited Edition documentation folder has everything necessary should someone want to purchase a piece. These documents include certificates of authenticity for each edition to be sold, information about the artist (CV or biography), press relating to their exhibition and information about the original piece that inspired the edition.
Just yesterday, photographer Tom Little was here documenting the collection. Once we get the images back from Tom, I’ll gather all the relevant identifying information and send it all on to Jeffrey, who will serve it up to you, nice and pretty like, on the internet.
In 1996, the Mattress Factory had the good fortune to work with Greer Lankton as part of a group show that was guest-curated by Margery King. Greer's piece in that show, It's all about ME, Not You, was a large-scale recreation of her Chicago apartment/studio and housed dozens of the artist's hand-made doll figures, photographs, collectibles, and -- perhaps the focal point of the installation -- an addict in a bed surrounded by pill bottles. Shortly after the show opened, Greer Lankton passed away and upon the close of the show, we put the entirety of her piece in storage.
The Lankton Family has generously given Greer's final piece to the Mattress Factory and with the amazing help of several other supporters, we will be adding It's all about ME, Not You to the museum's permanent collection. The opening reception is next Friday, October 9th. You can RSVP and share the event with your friends over on FaceBook.
My role as archivist here at the museum involves documenting, preserving and cataloging artworks or, in most cases, artifacts of artworks. Because of the volume, diversity and fragility of the materials she used, Greer's piece has proven to be a labor of love for me. Many of her doll sculptures are made from delicate materials like toilet paper so implementing proper handling and preservation processes are very important.
And from an interpretive standpoint, this piece is dynamic to say the least. Curator Margery King states in her original exhibition essay:
When faced with the prospect of creating her first large-scale installation at the Mattress Factory, Lankton knew that she wanted to re-create her studio, in an ideal form, designing an environment of "artificial nature/total indulgence," filled with "dolls engrossed in glamour and self abuse." Like the artist herself, Lankton's dolls and environments possess a disarming mix of innocence and decadence, hope and pathos. She said her work was "all about me," reflecting her life as an artist, a transsexual, and a drug addict. But beyond this, from her position as an outsider, Lankton eloquently explored and questioned accepted norms of gender and sexuality, as well as the powerful imagery of popular culture and consumerism. Her work also describes the difficult mandate of these pervasive, seductive models and the pain of those who do not conform. It is tempting to think that Lankton created her installation at the Mattress Factory as if she knew it was her last (she died in late November, a month after the exhibition opened), filling the space with a retrospective selection of her beloved dolls and everything that was most meaningful to her.
In this video, shot at the 1995 Whitney Biennial, Greer talks about two of her sculptures: a bust of Candy Darling and one she calls Blue Babe. The audio and camera quality are a bit shaky, but it's really great to hear the artist herself speak about these works. A great moment comes at 1:06 when a gallery attendant tells Greer not to touch the art and she says simply, "It's mine!" Coincidentally, this Candy Darling sculpture is now on view as part of It's all about ME, Not You.
Speaking for all of us here at the Mattress Factory, we feel very lucky to have the ability to show It's all about ME, Not You permanently. Greer's work has touched many people's lives over the years and we look forward to helping enable that connection for new generations into the future.
Hi there! My name is Leah and I'm the project archivist here at the Mattress Factory. As my first post here on the MF blog, I'd just like to say hello to all of you out there in the interwebs. Welcome to the archive, or, rather, Notes from the Archive – a regular update on MF archival projects and happenings in my world.
The Mattress Factory archives are physically located on the third floor of the museum (near the Yayoi Kusama permanent collection pieces) behind two discrete doors. Inside the archive are many artistic gems including 3D installation remnants, models, artist sketches & correspondance, and limited editions.
Flies from Damien Hirst's 1993 installation, Bad Environment for White Monochrome Paintings
While we have a lot of interesting objects from the past, we are always accessioning new items from shows that have just come down. I look forward to sharing my projects with you and keeping you updated on some of the cool stuff I'm working on! Until next time!